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Who is Amir Khusrow Balkhi?

Who is Amir Khusrow Balkhi?

Amir Khusrow, son of Amir Saifuddin Mahmud, was born in 651 AH / 1253 AD in either Delhi or Patiala, India—or according to some sources, in the Sangcharak region of Balkh province, present-day Afghanistan.

His father, a tribal chieftain from Balkh, migrated to India following the Mongol invasions and settled in Delhi. There, he married the daughter of Nawab Imad-ul-Mulk, a prominent minister and nobleman of the Delhi Sultanate. Amir Khusrow’s father was eventually killed in battle against his enemies.

For his spiritual and intellectual training, Amir Khusrow became a devoted disciple of the revered Sufi saint, Hazrat Nizamuddin Auliya. He remained deeply loyal to his master throughout his life. Under Nizamuddin's guidance, Khusrow also studied music—his final lesson being the raga Poorbi, a melodic mode in which the Quran is still recited by many qaris today.

A towering literary and musical figure, Amir Khusrow was also a trailblazer of the Chishtiyya Sufi order. To promote this spiritual path, he pioneered Qawwali, a genre of devotional music in classical tradition. His aim was to enable followers to express spiritual longing through poetry and music within Sufi gatherings, allowing for ecstatic worship and joy—while also creating a cultural counterpart to the bhajan singing traditions of Hindu Brahmins in their temples.

Through his innovations and contributions to the theory and practice of music, Amir Khusrow has profoundly shaped the cultural and spiritual landscape of both the Persian-speaking world and the Indian subcontinent, forging a lasting bond between diverse peoples and traditions.

Amir Khourow Balkhi Dehlavi's innovations in music

1. Introduction of the Seven Eastern Musical Notes and Their Spiritual Meanings:
Sa – Re – Ga – Ma – Pa – Da – Ni

Sa – Symbolizes firm determination and steadfastness.
Re (or Ra) – A call to remember and connect with the Divine.
Ga – An invitation to express through singing.
Ma – A reminder to avoid pride and arrogance.
Pa – Represents purity from negative emotions like hatred, envy, and jealousy.
Da (or Dha) – Encourages detachment from material desires.
Ni – Signifies humility and bowing before truth.

2: Invention of Musical Instruments
Amir Khosrow Balkhi Dehlavi is credited with inventing several remarkable musical instruments, including:

Tabla – a pair of hand-played drums, each tuned to specific musical notes, producing both bass and treble tones.

tabla Amir Khusrow Balkhi Foundation
sitar Amir Khusrow Balkhi Foundation

Sitar – a melodious stringed instrument often referred to by musicians as the “King of Strings.”

Sarangi – a bowed string instrument known for its deep, emotional resonance.

sarangi Amir Khusrow Balkhi Foundation

Sitar – a melodious stringed instrument often referred to by musicians as the “King of Strings.”

sitar Amir Khusrow Balkhi Foundation

Sarangi – a bowed string instrument known for its deep, emotional resonance.

sarangi Amir Khusrow Balkhi Foundation

These three instruments, praised for their beauty and complementarity, have astonished scholars of music for centuries. No other combination of instruments has matched the elegance and completeness found in this trio.

3. Raga and Ragini (melodic modes), and classical vocal styles such as Tarana, Khyal, Qawwali, Thumri, and Classical – each possess their own unique methods and philosophical foundations. These traditions are so profound that we are unable to fully interpret them; their analysis must be left to the masters and custodians of this rich heritage.

In this regard, it is worth mentioning the renowned treatise "Qanoon-e-Tarab" (The Law of Delight) by the maestro and crown jewel of music, Ustad Sarahang, who wrote:
“Amir Khusrow Balkhi (may peace be upon him) invented and established fundamental principles in the science of music, which astonished even the most seasoned masters. Nayak Gopal, the greatest musician of his time, despite his vast musical knowledge, bowed in respect to the genius of Amir Khusrow and continued to benefit from his teachings and experience throughout his life.”

It is also worth noting that Ustad Sarahang was the first to refer to Amir Khusrow as Balkhi in the heart of India. During one of his artistic journeys to India, when someone told him how significant it was that Indian music had found its place in Afghanistan, Ustad Sarahang replied:
“Our music does not come from India. Indian music is Carnatic. What I sing is the music of my master, Amir Khusrow Balkhi.”

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